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At Parsons he learned the academic principles of symmetry and design that he had previously explored instinctually. Backus always earned his living through his artistic talent, first as a commercial artist painting signs, billboards and theater marquees, and later encouraged by Dorothy Binney Putnam, his first true patron, to pursue his landscape paintings as a full-time occupation.
He painted vivid Florida landscapes, 1950's kitsch images of the ubiquitous hibiscus and other tropical flowers, the beautiful Florida sunset, beach and river scenes and the spectacular vistas of the Everglades.
Much like a visual journal of his travels, Backus recorded his journeys through his artwork. Later in his life, he created a series of scenes of the Caribbean focusing on the Bahamas, Haiti and -- most prolifically-- of his second home in Jamaica.
Backus spent his entire life studying his subjects; it is because of this passion for wildlife and plants combined with his natural talents that he was able to produce such accurate and captivating paintings.
Many of Backus' earlier paintings dating from the 1930s to the late 1960s are categorized as being more impressionistic than most of his later works and were often done with a palette knife. Paint was applied to the canvas or board with impetuous and generous strokes.
The juxtaposition of color next to color created a new and different reality for the viewer. All those who followed were in some way trying to emulate his work.
As Backus's career progressed, his style evolved into a more refined style that relied more heavily on the brush rather than the palette knife.
He spent more time on his later, more romanticized paintings -- adding more details and increasingly painting commission pieces for patrons eager to own a Backus-original for themselves.
Backus is also credited with teaching art to a wide range of students. No one knows how many artists actually studied with Backus or were merely mentored or inspired by him.
Backus's protegees are referred to as "the Indian River School" of artists. A great deal of misinformation circulates as to Backus's role in the creation of the outsider art, a phenomenon referred to as the Highwaymen.
The remaining members of the approximately 26 African-American landscape painters painting in and around Fort Pierce, Florida, were certainly inspired by Backus success but they were not actual students of Backus. The Highwaymen directly copied Backus' paintings with varying degrees of success, Harold Newton being the one who's artistic talents bring him closest to Backus.
Life
Beanie was known for always having music playing in his home.
He often had his record player playing, and some times even had Jazz musicians jamming. They were known to be good friends and both had a passion for the youth of Fort Pierce, Florida.
He liked to keep a lively conversation and often quoted fellow artist Waldo Sexton "I'd rather be a liar than a bore". They never had any children.
Backus Gallery
Much of Beanie's work is now on display at the A.